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Review force awakens movie#
At that point, Abrams makes us believe anything could happen-it’s the best kind of movie feeling.īut somewhere along the way, Abrams begins delivering everything we expect, as opposed to those nebulous wonders we didn’t know we wanted. Early in the movie, when she befriends BB-8 (another orphan of sorts), it’s a meeting of kindred spirits. Rey’s loneliness and her self-sufficiency are intertwined. And Abrams introduces a note of glorious melancholy in the character of Rey (newcomer Daisy Ridley, charismatic in a no-nonsense way), a teenage scavenger marooned on a sandy planet, longing to find her way back to the family from whom she’s been separated. A roly-poly cueball with a surprisingly expressive half-dome for a head-and a vocabulary of squeaks and squiggles that are more eloquent than mere words-BB-8 is both modernist and old-fashioned at once, a marvelous creation that could have sprung from the imagination of Jules Verne. But why settle for adequacy? For the first 40 minutes or so, The Force Awakens feels like something special and fresh: For one thing, Abrams and his team of designers and technicians introduce a new star, a droid named BB-8. Abrams splits the difference, and the movie suffers-in the end, it’s perfectly adequate, hitting every beat. I was seeing red-state-blue-state resonance in the colors of the lightsabers for a second, then realized that was just because someone had sent me a "Trump Vader" video last week.When you’ve been charged with reviving one of the most obsessively beloved franchises in modern movies, is it better to defy expectations or to meet them? With S tar Wars: The Force Awakens, J.J. Harrison Ford can still land a punchline and a punch in battles that Abrams keeps as rip-roaring as you were hoping.Īs for themes? Well, family and friendship and resisting authoritarianism, I guess. So it's a good thing that the script by Lawrence Kasdan (who wrote much of the original trilogy) is so light on its feet and funny. It is possible to have questions (Why does Adam Driver's villain wear a mask and cloak? A goth thing left over from intergalactic high school, maybe?) and the nostalgia gets thick enough that the film turns into an echo chamber at times, with family themes reverberating from that original trilogy. Let me just say that they do it really well: Rey is feisty enough to banish thoughts of Katniss Everdeen from the most devoted Hunger Games enthusiast Finn is the sort of impetuous, can-do hero who will inspire a whole new generation of Star Warriors and when the old warriors arrive on the scene, well, just try not to tear up. I shouldn't - and won't - talk about what any of them do for the film's 135 minutes. He not only got the old gang back together - Han (Harrison Ford), Leia (Carrie Fisher), Luke (Mark Hamill) - but starting with an opening battle on a desert planet, he introduces a brace of new, young and (happily) diverse characters: resistance pilot Poe (Oscar Isaac) and his spherical droid BB-8 (sort of R2-D2 mated with a volleyball) new villain Kylo Ren (Adam Driver), who looks and sounds a lot like an old villain scrappy female scavenger Rey (Daisy Ridley), who's also a pilot and Finn (John Boyega), a Stormtrooper gone AWOL who decides Rey needs protecting, whether she wants it or not.ĭaisy Ridley plays the scrappy scavenger Rey. I still believed - I'm guessing we all believed - that the magic could come back, and now director J.J. Thirty-eight years and sticking it out through three lackluster prequels hasn't dimmed the force of memory.
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The fanfare starts and we're all kids again, anyway.
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But all you really want to know is whether it's good, right? Well, in fact, it is better than it had to be. With bigger advance sales than any movie in history, Star Wars: The Force Awakens needs reviews like a Death Star needs a decorative fountain. Both Chewbacca (Peter Mayhew) and Han Solo (Harrison Ford) return in Star Wars: The Force Awakens.